On October 21, 1977 Meat Loaf's Bat Out of Hell was released to the world, the ninth best selling album of the 1970s. Excessive and campy, it did nothing for me at the time and still fails to stir my soul despite my appreciation of producer Todd Rundgren and the presence of members of the E Street Band. I don't want this much opera in my rock opera and songwriter Jim Steinman leads Meat Loaf to a place that is far too theatrical for me. Apparently the trick to falling in love with this album is to get drunk and sing along with friends ( which is how, I'm convinced, Steinman's "Total Eclipse of the Heart" has also earned its legendary status).
From Dave Marsh writing for Rolling Stone:
Billboard's reviewer has no idea the album would sell four million copies:
From 1001 Albums to Hear Before You Die
Several extraordinary video clips promoted the album, and "Paradise By The Dashboard Light," a story of lust in a car, included a commentary by Phil Rizzuto on events, which he likened to a baseball game. The songs on the album were written by Steinman for his musical Neverland, a futuristic rock version of Peter Pan, in which Meat Loaf would play the part of Tinkerbell (when asked, he did not deny it, other than to say the character would be called Tink).
For some, the real stars of this brilliantly over-the-top extravaganza were the songs, the work of Jim Steinman's highly disturbed, but extremely imaginative mind; Steinman later wrote big hit songs for Bonnie Tyler ("Total Eclipse Of The Heart"), Barry Manilow ("Read 'Em And Weep") and Celine Dion ("It's All Coming Back To Me Now"), among others. But those tracks have never inspired the affection aroused by this high-camp metal musical extravaganza.