Showing posts with label Jethro Tull. Show all posts
Showing posts with label Jethro Tull. Show all posts

Saturday, February 11, 2017

A Fife and a Drum to Play


Jethro Tull : The Whistler



Just as we were about to write off Jethro Tull, they emerge with Songs From the Wood, a swandive into Elizabethan folk rock that was inspired by Ian Anderson's time producing Steeleye Span Now We Are Six and features some lyrics reminiscent of the Penthouse letters, if they had been written on scrolls.



Witness from "Hunting Girl" :
She took this simple man's downfall in hand/ I raised the flag that she unfurled/ Boot leather flashing and spurnecks the size of my thumb/This highborn hunter had tastes as strange as they come/Unbridled passion: I took the bit in my teeth/ Her standing over me on my knees underneath.


Asked by TeamRock.com to name his favorite Jethro Tull songs, Ian Anderson selected the opening track:

"This, the title song of our 1977 album, was unashamedly twee. It's decorative folk rock. It openly extols the virtues of the countryside, and the values you want to impart through this to other people. I suppose it is country rock, but in the British sense. It's all delivered with a fair amount of hefty music. There are big guitar riffs and a lot of flute as well. And it does get a little angry, but with a purpose."




Sunday, December 14, 2014

40 Year Itch : Top 10 Albums December 14, 1974



1. Elton John Greatest Hits 

Elton John's Greatest Hits was the #1 album in the US for 10 weeks straight and sold more than 16 million copies. Meanwhile, in just four weeks since its release, The Ohio Players album, Fire, with its sensational title cut, had raced all the way to #10.


2. Rolling Stones It's Only Rock 'n'Roll


3. Bachman -Turner Overdrive Not Fragile


4. Jethro Tull War Child.


5. Neil Diamond Serenade


6. John Denver Back Home Again


7. Harry Chapin Verities and Balderdash


8. Jim Croce Photographs and Memories


9. David Bowie Live at the Tower in Philadelphia


10. Ohio Players Fire








Tuesday, October 14, 2014

40 Year Itch : Crocodile Nasties



Remember: Tull rhymes with dull.
   -Jim Miller, Rolling Stone 

   On October 14, 1974 Jethro Tull released WarChild, their follow-up to the critically slammed sidelong epic suites of A Passion Play. The songs, including FM staple "Bungle in the Jungle" and the pre Passion Play recording "Skating Away ( on the Thin Ice of the New Day)", are shorter while Ian Anderson remains a complex, cynical lyricist.


The album climbed to #2 on the US charts but 40 years later, I just can't get excited about the WarChild.





Saturday, July 6, 2013

40 Year Itch : Jethro Tull Goes Overboard




I cannot recall an album by a British rock band that has given me more pain to endure.

-Chris Welch , Melody Maker

Here's the one takeaway from Jethro Tull's A Passion Play, released in the UK on July 6, 1973: Nobody likes it. People either love it:
"A masterpiece of spirited prog rock. The music keeps turning and twisting, never resting on one idea or theme for more than ten or twenty seconds. And there's never a wrong turn."
Or hate it:
"Hard to believe the same group could record a wonderful piece of music like "Brick" and then turn around and produce this drivel."


Jethro Tull's last #1 LP is a concept album about the life and death of  a man. We can gather that much from the lyrics. And not a hell of a lot more. 
But here. Take a shot and see if you can find the "deep inner meaning " of lyrics like:

Lover of the black and white it's your first night. 
 The Passion Play, goes all the way, spoils your insight. 
Tell me how the baby's made, 
how the lady's laid, 
 why the old dog howls in sadness.

Performances included the screening of this film, "The Story of the Hare Who Lost His Spectacles",  written and directed by Ian Anderson.


Some critics used A Passion Play to proclaim the death of progressive rock:

The real disappointment is that it marks, seemingly, the end of an era. After studying this album at great length, stewing my eyes out over the lyrics, reprinted on the inner sleeve, bending an ear to each nuance of the music, I am left with the feeling of never wanting to hear another British rock group album again.
-Chris Welch again

Others. like Stephen Holden, claimed to be finished with Jethro Tull:
\
One leaves A Passion Play with the feeling of having been subjected to 45 minutes of vapid twittering and futzing about, all play and no passion — expensive, tedious nonsense.




Saturday, June 23, 2012

40 Year Itch: The Bloody J-Word




[Purchase]

Living in the Past, released June 23 1972, is an odds and sods two disc collection of album tracks, singles, B sides, outtakes and cuts from "Life Is a Long Song" EP that reveals the band in its finest, most prolific form. It may be one of the great arguments , like Kinks Kronikles, for collections less based on the hits than on giving an overall picture of a band at its peak.

With its blues based rock, the band was at first proclaimed by the British Press as "the new Cream". Tull also explored progressive rock, jazz and  folk. The driving force has always been Ian Anderson who has spent most of his life dressed like a character out of Dickens, hating having people call him "Jethro", and running the group like a "dictatorial pharaoh" I think Rolling Stone put it.





Over the years Anderson has been asked the same questions over and over again and so with the help of his website I offer you this very non-exclusive interview the Faginesque Pharaoh himself

Are you, like the song, "Living in the Past"? 

 I am not one for nostalgia or reminiscences and prefer to live in the present and the future. However, some of our audience obviously like the nostalgia bit, and the older material which we play is, for them perhaps, a trip down memory lane. For us, it's not about playing a song which could be thirty years old. It's about playing something 24 hours old, since that's when we probably last played it on stage. Our style of music is, I hope, a little bit timeless and not rooted in a particular music fashion.

In 1973, Jethro Tull disbanded following the bad reviews of "A Passion Play". Why?

 No, we didn't! Our then manager decided to respond to a bad review in the influential pop newspaper Melody Maker by cutting a deal with the editor for a front page "scoop" involving the band's supposed decision to quit. We knew nothing about it until we read it in the paper ourselves, and we were furious. It made us look petulant and silly. Which we probably were, but we didn't need the wrong kind of publicity. Tull have never disbanded, even for a moment. No come-back tours for us, thank you very much. We haven't yet been away!

Pop and Rock music have changed a great deal over the 30 years. How do you view these changes? And do you listen to the new music like Techno and Rap?

 Well, the really big changes were back in the early years of the mid-to-late sixties and the early seventies. The introduction of musical influences from many diverse world cultures and historical periods provided for a rapidly evolving and richly creative musical environment. Folk, Classical, Blues, Jazz and Asian motifs and forms broadened the scope of American-derived pop and rock. Tull were a part of that evolution. Since the mid-seventies, the development has been more technological rather than musical. Sampling, synthesis, sequencing and the personal home computer revolution have brought music making to the masses at an affordable price. But the music goes round in circles. Same old simple rhythms, melodies, harmonies and verse/chorus/bridge song structures. Nothing really changes: nothing is really new. But each new generation of young musicians rediscovers the wheel, The Beatles, sunglasses and stretch limousines. As long as they and their fans think it is new, why disappoint them? Give the kids a pot of paint and they will repaint their house. Same old bricks underneath. Techno and Rap? Just nursery rhymes with attitude. Nice idea but going round in very small circles.


Don't you hate having to play the same songs, like Aqualung or Locomotive Breath, every night after so many years?

 If they were not decent songs, then I certainly would, but I am lucky to have a good collection of material which I still enjoy playing. There are over 250 songs to choose from, in fact. Anyway, much of Tull's music contains elements of improvisation, so the songs are never the same two nights running. There is always some scope for variation and interpretation in each performance. A Tull concert wouldn't be the same without some of Locomotive Breath. Well, for me at any rate.

What is the worst thing you are willing to make public about yourself?

That I have never tried drugs. I am deeply ashamed of this, but I promise to try better in the next life to be one of the lads. I can manage the beer and curry, honest.

 If you could go back in your life and change one thing, what would it be? 

 The 'Jethro' in Jethro Tull. Norman, Julien, Damon - anything but that bloody J-word.



If you could choose the words for your epitaph, what would they be?

"Thank you and goodnight". Or perhaps, "Any chance of a wake-up call?" I think that probably covers it.

Saturday, March 10, 2012

Thick As a Brick : 40 Years Ago Today




[Get Thick]


I've already heard Americans give all sorts of explanations for its title, Thick As A Brick. That's a common British slang expression. It means someone's as intelligent as a bunch of crap.
~Ian Anderson



Ian Anderson was a little pissed off about the way critics and fans called Aqualung a concept album. While it's true that quite a few songs mention religion in one way or another Anderson says, really, it was just a bunch of songs.

And by the way, stop calling him Jethro.

As Anderson says in an interview on the remastered CD:

The first things about Thick As A Brick was "let's come up with something which is the mother of all concept albums and really is a mind boggler in terms of what was then relatively complex music and also lyrically was complex, confusing and above all a bit of a spoof."

It was quite deliberately, but in a nice way, tongue in cheek and meant to send up ourselves, the music critics and the audience but not necessarily in that order. But it was meant in a nice way. This was the time of "Monty Pythons Flying Circus" and a very British kind of a humor which was not terribly well understood by the Japanese and the Americans when we finally went out to perform Thick as A Brick in concert but they sat politely if a little confused.





So what is the concept? It begins with the silly idea that a 12 year old boy named Gerald Bostock wrote the lyrics...despite the very Andersonish lines:


The Poet and the painter casting shadows on the water --
as the sun plays on the infantry returning from the sea.
The do-er and the thinker: no allowance for the other --
as the failing light illuminates the mercenary's creed.


The cover--complete with thoroughly written and thoroughly ridiculous newspaper articles--actually took longer to produce than the album itself.
Critics probably didn't know what to make of Thick As A Brick at first. The first Rolling Stone review praised the album :
   
     Whether or not Thick As A Brick is an isolated experiment, it is nice to know that someone in rock has ambitions beyond the four or five minute conventional track, and has the intelligence to carry out his intentions, in all their intricacy, with considerable grace. 

But time has not been kind to the album. The Rolling Stone Record Guide called Thick As A Brick "virually unlistenable". It truly is a thick album. The listener has to tramp through this bungled jungle of lyrics and musical ideas, drum solos and breathy flute solos and the same acoustic guitar refrain over and over again. Make no mistake: Jethro Tull worked very hard on this spoof...but if Thick As a Brick is a joke, it's really not that funny or one you want to hear over and over again.





AND YET...


Ian Anderson is not only touring Thick As A Brick this year, he has recorded Thick As A Brick 2!
As he told Billboard Magazine, he had a conversation with former Gentle Giant frontman Derek Shulman:

At some point, probably late in 2010, one of us said, 'I wonder what Gerald Bostock -- the little kid on the (original) album cover who supposedly wrote the lyrics -- would be like today?' " Anderson recalls. "That caught my attention -- 'Yeah, I wonder...' So in January of 2011 I started to sketch out a scenario of what would be some of the many possibilities of what could have befallen him. It was not going back and saying 'What happened in 1973?' It was taking a 40-year leap into the present day -- good food for thought, and applicable to all people of my age who might be looking back at their lives and thinking, 'I wonder if I had done this and not that...' So it turned into something that amused me enough to write a concept album for the year 2012."