Showing posts with label Sly and The Family Stone. Show all posts
Showing posts with label Sly and The Family Stone. Show all posts

Monday, July 28, 2014

40 Year Itch: You Can Pee On Me!





  Standing On the Verge of Getting It On, released in July of 1974, captures Funkadelic at maximum sustained-funk. In many ways it is the ultimate Funkadelic album. Guitar phenom Eddie Hazel, who has barely been present for the last two albums, comes back strong here, co-writing all of the songs on the album with George Clinton. The epic closer, "Good Thoughts, Bad Thoughts" will remind listeners of Hazel's "Maggot Brain" workouts.


Hazel and George Clinton have also enlisted some other outstanding musicians including future Talking Heads mainstay Bernie Worrell on keyboards and the "World's Only Black Leprechaun" , Cordell "Boogie' Mosson shines on bass. 


By this point, Funkadelic had become one of the ultimate concert acts: Clinton might be seen jumping out of a coffin and conducting the audience through catch phrases.There was always someone running around in a diaper and someone else simulating sex acts.







  Just married, in an onstage ceremony to Kathy Silva at sold-out Madison Square Garden, Sly Stone released Small Talk, his seventh and final album with the Family, in July of 1974. It was met with mostly negative reviews like this one from Rolling Stone's Vince Aletti:

I'd call Small Talk disappointing but that would assume I had some expectations left for Sly and the Family Stone.



Those reviews pretty much doomed Small Talk until recent years, when music fans couldn't believe the album following the critically reappraised Fresh had nothing on it worth hearing.


To these ears, the best tunes are the ones that could have been on Fresh. I like the horns on "Holdin' On" and the muted funkiness of "Can't Strain My Brain". That doesn't say a lot for Sly's originality. But maybe with a newborn crying all the time ( like on the wretched first cut), Sly really couldn't strain his brain.



Friday, August 2, 2013

40 Year Itch: Top 20 Albums August 4, 1973



1. Chicago VI


2. Pink Floyd Dark Side of the Moon
3. Carpenters Now And Then



4. George Harrison Living in the Material World
5. Seals and Crofts : Diamond Girl



6. Carole King Fantasy
7. Paul Simon There Goes Rhymin Simon


8 Deep Purple Machine Head
9 Sly and the Family Stone Fresh
10 Leon Russell Leon Live
11 Deep Purple Made In Japan


12 Jethro Tull A Passion Play
13 Led Zeppelin Houses of the Holy
14 Al Green Call Me



15 Carlos Santana and Mahavishnu John McLaughlin Love Devotion and Surrender
16 Curtis Mayfield Back to the World


17 John Denver Farewell Andromeda
18 Doobie Brothers The Captain and Me


19 Paul McCartney and Wings Red Rose Speedway
20 Diana Ross Touch Me in the Morning



Top 3 Single Debuts

1. Paul Simon "Loves Me Like a Rock" (US#2)
2. Elton John "Saturday Night's Alright For Fighting" (US#7)
3. Cher "Half Breed" (US#1) 


Sunday, June 30, 2013

40 Year Itch : I Switched from Coke to Pep





You wouldn't think a band whose last album, There's A Riot Goin' On, hit #1 needed to make a comeback record. But a lot happened in the two years between Riot and Fresh, which was released on June 30, 1973. Drug busts. Cancelled shows. Rumors of bass player Larry Graham hiring a hit man to take out Sly. 


The music is often spare but the syncopated beats are always tight. Sly is playful at times. ( the Top 20 "If You Want Me to Stay" --featuring Sly on bass; "If It Were Left Up to Me") Sometimes he's preachy ( "Babies Makin' Babies"). He's often self-referential in both his lyrics ("Something could have come and taken me away /But the main man felt Sly should be here another day") and his music ("Keep on Dancin'" could be "Dance to the Music, pt 2).

The "Que Sera Sera" cover is interesting for so many reasons. Among them was yet another rumor: that there was something romantic going on between Sly and Doris Day! 


Fresh remains my favorite Sly and the Family Stone album. (Constant radio airplay ruined some of the Family Stone's biggest hits for me) 

It's the sound of one of our great geniuses revealing just how little instrumentation is necessary to find the funk. I agree with Rolling Stone's 1973 assessment of the album :

In its own sense, and on its own terms, it is (Sly's) masterpiece.


By the way , Mr Stone may appear to be high kicking it on the Richard Avedon shot cover, but he was actually lying on a glass table and shot from below.



Saturday, July 9, 2011

#36 The Equals "Baby Come Back" 1966



Written by Eddy "Electric Avenue" Grant and recorded with his band The Equals in 1966, "Baby Come Back" did make a come back two years after originally failing to hit the charts. The song became the #1 pop hit in the UK on May 1st 1968 and eventually sold more than a million copies.
But "Baby Come Back" barely broke into the US Top 40.





The Equals were one of the first racially integrated bands of the 60's prompting Eddy Grant to tell Trouser Press Magazine in 1983 that had they hit it bigger stateside there never would have been any need for bands like Sly and the Family Stone.
The Equals never made a big deal of their racial composition. That and their reggae/rock vibe is said to be one of the biggest influences on the whole Two Tone ska movement.
Me, I just dig the beat. Even white people can almost dance to it.