The Duchess of Coolsville

Rickie Lee Jones : Young Blood

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It was a character but it was real too. The persona that you're creating is made up of you --but it's the best you think you are, the coolest you think you are.

-RLJ to Mojo

On March 2, 1979 Warner Bros. Records released Rickie Lee Jones's self-titled debut album. The platinum selling album would soar to #3 on the Billboard 200 album chart thanks to "Chuck E.'s in Love", a US #4 hit as well as a top 20 hit in the U.K., and an appearance on Saturday Night Live. With her trademark beret, Jones was an instant star, a far cry from the 18 year old who left home on her birthday and had arrived in Los Angeles, waitressed, slept under the Hollywood sign and performed beat influenced songs and poetry at small clubs. There she befriended Tom Waits and Chuck E Weiss. In the Rolling Stone article "The Runaway Rickie Lee Jones", they are portrayed as a trio of bohemians crashing Hollywood parties and writing songs in messy motel rooms:

”The first time I saw Rickie Lee she reminded me of Jayne Mansfield,” says sidekick and sometime beau Tom Waits with a lustful growl. (Jones is the mysterious blond on the back cover of Waits’ 1978 Blue Valentine LP.) ”I thought she was extremely attractive, which is to say that my first reactions were rather primitive — primeval, even. Her style onstage was appealing and arousing, sorta like that of a sexy white spade."

Warner Brothers signed Jones on the strength of a four song demo she originally cut for A and M Records and on word that Lowell George was recording her "Easy Money" for his upcoming album Thanks I'll Eat It Here. The label teamed her up with producer Russ Titelman, who also worked on George Harrison's 1979 album.

The result is an intimate, genre-spanning album with an all star line up of guest artists from Dr John to Steve Gadd to Randy Newman and Michael McDonald on backing vocals. The triumph is Rickie's though, arriving on the scene as a full formed artist. She would win the Grammy Award for Best New Artist, which unfortunately is more a curse than a blessing.

Critics liked what they heard. Robert Christgau gave the album a B-, writing:

It isn't just the skeptic in me who suspects that, despite the critical brouhaha, this young singer-songwriter's attractions are more sexual than musical or literary. It's also the male -- "Stick It into Coolsville," eh? But the critic knows that there are only three or four of her other songs -- including "Coolsville" -- that I'd enjoy hearing again.

"If you see the video you can tell I was high"-RLJ

I met Rickie Lee Jones in 2000 when she lived outside Olympia, Washington and interviewed her for a local television show in Seattle. Of "Chuck E,'s in Love" she said "I can't escape from it because it's me. If I could have done anything I would have sung it another way. It just was the way I was."

Rickie Lee Jones would make more album. The follow-up, Pirates, is one of those albums that is gaining popularity among critics. A personal favorite is It's Like This, featuring covers like "The Low Spark of High Heeled Boys".

Sky Cleared Up

George Harrison : Blow Away

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I think what happened between this album and the last album (Thirty Three and 1/3) is that everything has been happening nice for me. My life is getting better all the time, and I'm happy, and I think that it's reflected in the music -George Harrison

On February 20, 1979 George Harrison released his self-titled album, one of the very best of his career, and one that still gives me great pleasure forty years on. I realize now I bicycled across state lines, a major infraction at my boarding school, to buy a copy of this album in Millerton, New York's Oblong Books and Music store. All I had heard at this point was Top 20 hit "Blow Away", but I was hooked. 

With the help of Eric Clapton, Steve Winwood and producer Russ Titelman ( Randy Newman's Good Ole Boys, Ry Cooder's Paradise and Lunch), Harrison gives us ten catchy songs that reveal his domestic bliss with new wife Olivia and the recent birth of his only child Dhani. 

Critics were for the most part pleased. In his review for Rolling Stone, Stephen Holden calls George Harrison his finest album since All Thing Must Pass:

George Harrison is refreshingly lighthearted. The austere, pontifical tone is gone, and the singer sounds more like a happily eccentric gentleman/mystic than a burningly devout Krishna advocate.

Robert Christgau is less kind, grading the album a C:

 In which Harrison returns to good old commercial rock and roll, he says, presumably because he shared songwriting on one track with Gary "Sure Shot" Wright and let Russ Titelman produce. Well, there is a good song here -- "Faster," about a kind of stardom. He remembers! 

Although better known for embracing the cultures of India and Hindu, George Harrison was also an avid fan of Formula One racing. Especially after he befriended three time World Champion Jackie Stewart, who inspired the 1979 single "Faster" and even appeared as the chauffeur for the video.
" It's fascinating when you know the drivers and the teams and all their problems, and you can see them as people, " Harrison once said. " Because they are just people, but to go to work they have to get in this car and do 180 miles an hour."

For most of us, this was the first time we got to hear Harrison's White Album era "Not Guilty", which may in fact be guilty of airing some of The Beatles dirty laundry with lines like:

I won't upset the apple cart I only want what I can get 

I'm really sorry that you've been misled 

But like you heard me said  Not guilty

My favorite deep cut is "Dark Sweet Lady", his love song to Olivia, which ends with the simple line "I love you dearly".