Thanks I'll Eat It Here

Lowell George : What Do You Want The Girl To Do

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In March of 1979, Little Feat founder Lowell George released his first and only solo album, Thanks I'll Eat It Here. The title makes fun of George's eating habits which was part of his failing health. He'd had severe backaches, been hospitalized with hepatitis, and overindulged in drugs. Just weeks after the album's release the 34 year old singer would die of a heart attack on tour to promote the album. 

Despite the dark shadow hanging over the album, it actually has the same good vibe as Little Feat's Dixie Chicken. Spring arrives in the Southern climate even while the Midwest is still buried under snow, and this album is a good one for the first of the year's sunny days. "What Do You Want The Girl To Do", written by Allen Toussaint and recorded a few years earlier by Bonnie Raitt, gets things started right. I even had to check the liner notes to make sure the Meters weren't playing on this track.

The album was recorded piecemeal over two and a half years, between tours. Some of LA's best session players are here and, on "Cheek to Cheek", George is joined by Los Companjeros, a mariachi band George met a Mexican restaurant. In The MOJO Collection: The Greatest Albums of All Time, the variety of players and recording locations is described as contributing "to the album's charming inconsistency".

Not every critic agreed.

The Village Voice's Robert Christgau found fault in the inconsistency. He gave the album a grade of C+ writing:

You are of course familiar with the recording industry phenomenon in which a vocalist enters the studio (or many studios) with a few (or many) well-regarded musicians and they all "cut" between eight and eleven songs written by the vocalist, the vocalist's friends, and some lucky black people. Here the smartest member of Little Feat does this. Unfortunately, singing has never been his strong point, and the compositions are as flaccid as any he's ever made public. Or maybe it only sounds that way because we're used to hearing him atop Little Feat's contradictory funk, not the obliging groove well-regarded musicians usually achieve under such circumstances.

"Find Me A River" is one of the best songs on the album. It was written by multi-instrumentalist Fred Tackett who toured with Lowell George in 1979. While George's death is attributed to an accidental cocaine overdose leading to a heart attack, Tackett says his 300-pound friend died of something else:

"We were driving down the New Jersey Turnpike in this bus and we stopped at this pizza joint off the highway. Everybody in the band shared a cheese pizza but Lowell bought a large pizza with everything on it, carried it to the back of the bus, and he ate the entire pizza by himself. He died two or three days later. So, when people ask me, 'What really killed Lowell?' I say, 'It was a pizza on the New Jersey Turnpike.'"

The Duchess of Coolsville

Rickie Lee Jones : Young Blood

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It was a character but it was real too. The persona that you're creating is made up of you --but it's the best you think you are, the coolest you think you are.

-RLJ to Mojo

On March 2, 1979 Warner Bros. Records released Rickie Lee Jones's self-titled debut album. The platinum selling album would soar to #3 on the Billboard 200 album chart thanks to "Chuck E.'s in Love", a US #4 hit as well as a top 20 hit in the U.K., and an appearance on Saturday Night Live. With her trademark beret, Jones was an instant star, a far cry from the 18 year old who left home on her birthday and had arrived in Los Angeles, waitressed, slept under the Hollywood sign and performed beat influenced songs and poetry at small clubs. There she befriended Tom Waits and Chuck E Weiss. In the Rolling Stone article "The Runaway Rickie Lee Jones", they are portrayed as a trio of bohemians crashing Hollywood parties and writing songs in messy motel rooms:

”The first time I saw Rickie Lee she reminded me of Jayne Mansfield,” says sidekick and sometime beau Tom Waits with a lustful growl. (Jones is the mysterious blond on the back cover of Waits’ 1978 Blue Valentine LP.) ”I thought she was extremely attractive, which is to say that my first reactions were rather primitive — primeval, even. Her style onstage was appealing and arousing, sorta like that of a sexy white spade."

Warner Brothers signed Jones on the strength of a four song demo she originally cut for A and M Records and on word that Lowell George was recording her "Easy Money" for his upcoming album Thanks I'll Eat It Here. The label teamed her up with producer Russ Titelman, who also worked on George Harrison's 1979 album.

The result is an intimate, genre-spanning album with an all star line up of guest artists from Dr John to Steve Gadd to Randy Newman and Michael McDonald on backing vocals. The triumph is Rickie's though, arriving on the scene as a full formed artist. She would win the Grammy Award for Best New Artist, which unfortunately is more a curse than a blessing.

Critics liked what they heard. Robert Christgau gave the album a B-, writing:

It isn't just the skeptic in me who suspects that, despite the critical brouhaha, this young singer-songwriter's attractions are more sexual than musical or literary. It's also the male -- "Stick It into Coolsville," eh? But the critic knows that there are only three or four of her other songs -- including "Coolsville" -- that I'd enjoy hearing again.

"If you see the video you can tell I was high"-RLJ

I met Rickie Lee Jones in 2000 when she lived outside Olympia, Washington and interviewed her for a local television show in Seattle. Of "Chuck E,'s in Love" she said "I can't escape from it because it's me. If I could have done anything I would have sung it another way. It just was the way I was."

Rickie Lee Jones would make more album. The follow-up, Pirates, is one of those albums that is gaining popularity among critics. A personal favorite is It's Like This, featuring covers like "The Low Spark of High Heeled Boys".