Friday, April 12, 2019

To Play Without a Paracute


Lou Reed : The Bells


In April of 1979, Lou Reed released The Bells, an album that "dropped into a dark well" as Reed himself said. I'm only listening to it for the first time this month, egged on by an ecstatic contemporaneous review by Lester Bangs in his last ever for Rolling Stone:


The Bells isn’t merely Lou Reed’s best solo LP, it’s great art. Everybody made a fuss over Street Hassle, but too many reviewers overlooked the fact that it was basically a sound album: brilliant layers of live and studio work in a deep wash of bass-obsessive noise. Most of the songs were old, and not very good, with a lot of the same old cheap shots...all through (The Bells), Reed plays the best guitar anyone’s heard from him in ages. As for the lyrics — well, people tend to forget that in numbers like “Candy Says,” “Sunday Morning” and “Oh! Sweet Nothing,” Lou Reed wrote some of the most compassionate songs ever recorded.




I'm now halfway through the album and I'm not hearing the brilliance Lester Bangs is celebrating. In fact, I've never heard Reed sing like this. So hyper on some of these tracks.  He sounds like the comedian John Mulvaney imitating himself as a kid.




The Bells is a strange collection with three songs written in a short partnership with Crazy Horse's Nils Lofgren ("City Lights", "Stupid Man", "With You") who did not play on the album. Jazz trumpeter Don Cherry joined the sessions and can be heard on the nine minute title track, one of Reed's all time favorite recordings. What is it about? Reed said the lyrics came as he sang them and every time he hears "The Bells" it means something different. 


Another notable track is "Disco Mystic", which Bangs thought should have been a hit. Arista Records' Clive Davis didn't hear a single. The label didn't support the album, which peaked at 130 on Billboard's Top 200 Album chart. Reed would release only one album for Arista  before he'd have to go label shopping again. 



On the bright side, Reed was living in Blairstown New Jersey outside the city and reportedly weaning himself off of drugs. He and Sylvia Morales had an 18 acre wooded property where Reed would shoot baskets and snack on fruits and nuts.

"I really love it. It smells great. Even if you wanted to do something there's nothing here. It's appalling how much sleep I get."

In 1980 Lou and Sylvia would get married.

O.K., I've listened to the whole album and I think the best cut is "Families", which sounds like an honest assessment of his relationship with his mom, dad and kid sister. They apparently weren't all that happy with the song.

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